"An honest confessional, with a sprinkle of humor and opinion, of an academician/musician seeking happiness" Find me now on https://enagyginglife.wordpress.com
Frustrated Inc.
It is so easy to let frustration build up. You never really know where and how it started. In fact, I don’t even realize that it has started until it sets in.
I get frustrated when I hear sounds that I don’t want to hear or when I heard things that I don’t expect to hear. These can range from mobile phone buzzes and notifications to Blu meowing to attract attention. It can be the next-door neighbor’s kid screaming or it could be the fight between two women from the slum behind my building. It could be the sound of the air-conditioner malfunctioning or the drip from a faucet that is not closed properly.
One of my wishes is to be in an environment where sounds are absolutely under my control. Almost like have a mute or a kill-switch button for everything that could possibly create sound. Something like a sound-proofed studio for a living environment. I guess I am still okay with ambient sounds, even those that are characteristic of a city like Mumbai. But they have to be nondescript. Something that can be figuratively swept under the carpet of my fucked up mind so that I don’t feel accountable righting the things that are wrong.
As a musician, feeling frustrated with technology seems like a given. I am also starting to feel like I’m getting old enough to feel like an older man who finds any new things in the environment frustrating. When I’m working on a song on my digital audio workstation, I get frustrated when I’m unable to achieve what I want quickly. Because I haven’t had formal training in audio engineering, it is easy to get lost in the maze of parameters and controls and lose sight of the art that I’m trying to create.
I get frustrated when I make typos. I’m increasingly making typos in whatever I do. I fee like my dexterity on the keyboard (for typing) and my ability to pick errors that I have made are waning. It is such an embarrassing situation when someone who has had over 20 years of touch-typing experience and over a decade of experience in academic proofreading and copyediting make mistakes after mistakes after mistakes.
These are some of the sources of frustrations that I have. Right at this very moment, at least the noise and typo frustrations have set in. Blu is begging for food after being fed and J is on the phone in the same room, getting some work done. He has moved out into the other rooms a couple of times, but he still starts conversations in my auditory range.
Maybe I should work on this pervasive frustration issue with my therapist more than anything else.
Artist Vs. Artist
One of the hardest things that I have had to do is to give an honest critique about a piece of art to someone who I like/love but with whom I do not have kind of relationship that befits such and exchange. As an artist myself, I’d like to hear from others how my art can be made better, sandwiched between thick slabs of comments about what is it that I got right in the first place. This seems be the most important lesson that they the staff at Berklee School of Music teach their students!
The recipients of such an exchange can be classified (in a gross oversimplification) into two.
There are those who give you the freedom to express yourself—not necessarily only harsh, but more open. Those people make it clear at the outset that they don’t think highly of themselves but do care a lot about the piece of art they created. The others are cagey and probably just want to hear from you that they are doing absolutely great. Sometimes, these people might actually benefit from not hearing something harsh, especially if they are already doing quite well.
For the latter, some of the struggle lies in the lack of vocabulary and tact in expressing and receiving opinions. I find it easier to have these conversations happen over emails and long messages than face-to-face conversations. This gives both the parties enough time to process the responses, avoiding the awkwardness of one’s facial musculature giving almost everything away. Even when you have go easy on people, one could always pass on the good to them. That should still help and technically help build the relationship that you need to switch to the healthy one where you don’t need to parse the praise from the critique.
As a recipient, I still will fall into the latter bucket. Does that mean that I need to work on my relationships more.? Maybe. Or maybe that the people who give me feedback need to use the right lexicon and tact.
As a critic, I am currently in a self-revelatory exchange with a close friend of mine. I call him Blummer and he’s someone that I have done a lot of travel with. He’s currently in the middle of writing a book about the most important characters that influenced him and made him what he is right now. He has shared a few chapters and had requested my thoughts.
I thought he fell in the latter bucket when I started these exchanges. However, I feel that we’re slowly moving into the former. His way of expressing the fact that he felt that I was holding back helped me overcoming my inhibitions to share with him what I felt.
The relationship that I have with him are one of the few that could qualify, based on the duration and quality our friendship, to justify the open-critique. I have only a very few where I can be open like that, and I regret to say that I don’t yet have such a healthy relationship with my band mates. Maybe we’ll get there some day.
So much to say
Over the last several months (during the COVID-19 lockdown), life has changed for me. Some for the better, some for the worse. I'll start with the better before moving on to the worse.
I have learned so much more in music production. Finished a course and I'm just starting my last in the series. Wrote some songs, produced several others.
I upgraded my home studio setup. I got myself a powerful laptop, monitors speakers, a good electric guitar, and a cheap MIDI controller (that's not working too well).
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| My home studio setup |
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| My new guitar |
Now, with about 50+ full songs in the bag, about 300 more rudiments that could be fleshed out into full songs, and the ones that I could write moving forward, I think I could start the process of releasing them consistently over the next several years.
One of the projects is with a band, the members of which are part of another band that I love dearly. Over the last several months, we have been working on these songs remotely and some of these are starting to come to life.
The journey forward is challenging for me because I think I will be exposing myself to social situations where I'll need to spend a lot of time working on this music as a producer and engineer for this band, which I think is not my strength. Plus, I'm decidedly an introvert at the core, and spending long periods with people (even if they are my friends) will be extremely taxing.
So overall, this seems ambitious but I think it is doable. All I need to make sure is that I should not burn myself out, which I have a tendency of doing.
I have watched a lot of quality content, both movies and TV series. These are the things that generally inspire me to be creative, and I have conceded to the fact that they are not merely entertainment for me. These things make me think in ways that other forms of communication and media don't.
Among these, I must mention my dive back into the wondrous world of Stargate SG-1 and Atlantis, and the charm of good-quality Malayalam cinema. I still remember the time that I started watching Stargate with my friends and work back in 2014 or something, and they ended up finishing the series (the whole pantheon) in a year or so, where I languished in SG-1 for several years until I picked things up earlier this year.
But I haven't been able to read too much. That's something I want to fix. I'm still stuck in Judas Unchained by Peter Hamilton. I have managed to read a few hundred pages in the last few weeks.
At work, I have gone from the manager of a team to someone who is primarily involved in creating, ideating, and troubleshooting. I'm currently in the last phase of creating an online training course for copyeditor trainees who join my company. This involved a lot of creative processes (with a lot of opportunity for seeding, farming, and harvesting self-doubt, which has more or less brought be back to a phase of full-fledged depression and anxiety.
Working from home might be easy in the sense that I don't have to travel or meet people. But it is difficult to plug yourself off the grid. Plus, after a 10 to 11 hour day of tiring work, I have to spend time to do the household chores. Then there is the music work. This leaves me with not enough time of rest, relaxation, sleep. I am trying my best to achieve that balance by trying to take short breaks to do some chores in between my work tasks.
I have had a relatively steady state of therapy sessions over lockdown, and I have decided to step up the fortnightly frequency before to a weekly one, considering that I almost fell apart in the last few weeks.
During the lockdown, I spent a LOT of time holed up in my apartment with my partner J. Before lockdown, I never thought I could comfortably spend more than two days with anyone, especially J. We had a stretch of about 4 months together. We were with each other night and day without any breaks!We were both surprised to find out that we could hold out for this long. Of course, we had fights and arguments, but we also had wonderful shared moments, with lots of wonderful food and shared TV/movie experiences. We regularly had our evening tea on the balcony, with the backdrop of mountains and clouds (on good days) and the cacophony of avian noises at dusk.
During the lockdown, I gave up my bedroom and desk to J for most of the day, which limited my access to my recording setup. He might do the cooking, but the cleaning responsibilities were harder and took longer. There was less quiet overall, and J was more or less in charge of the auditory environment.
I have finally started finding YouTube useful, especially to learn more about technology, music production, and my niche interests. I often dive into the YouTube maze and come out with learnings and best practices. This also happens with podcasts. In fact, the fact that I'm writing this post is because of the simple strategy that a songwriter espoused on a podcast.
Because of the work-from-home situation, and because I want to try and finish my work as soon as possible, I end up starting work as soon as possible, which leaves with less creative energy at the end of the day. Today, I wrote some lyrics for a song that I'm working on, recorded a scratch version of it (both for the course), and I felt like writing this blog post.
My therapist tells me that I should try and stare out at nothing (or something pleasant) for short periods during the day. During our sessions, I found out that this activity made me feel like a heavy weight has been lifted off my body. My eyes started feeling relaxed and I felt like drifting off to sleep. This morning, I did that by staring at the mountains for a bit. I need to make it a point to do this more often than I have been doing.
One of the reasons could be the anxiety/stress overall, but I think the frustration of not feeling like I have done anything meaningful in the day is a constant contributor. Thanks to my wonderful upbringing, I have a tendency to feel I'm not good enough for anything or that I haven't done enough to merit existing.
Over the last year or so, I have more or less pulled out of most social media. The only thing I check occasionally is Twitter. I have also stopped sharing photos. In fact, the joy of photography has somehow been sucked up from inside me. I guess I should treat this as a phase too. Or maybe it is because I don't get to get out of my house anymore.
During the lockdown, I have rediscovered my interest in writing (physical, literal writing) with fountain pens. I have refurbished the ones that I have and I have purchased a couple of good ones. Now, I can even write lyrics paper with real pens!
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| My not-so-good handwriting |
One of the unsettling aspects of lockdown has been finding out that I relate and empathize with the heinous characters in some movies. These characters show psychopathic characteristics. They are murderers, cannibals, and sadists. I don't think that I have any of these characteristics, but I have the sociopathy. What they say about human beings, their sufferings, and how things should end resonates with me.
I'm talking about Dr. Hannibal Lecter (played by Sir Anthony Hopkins) and Jame Gumb (Buffalo Bill, played by Ted Levine) from Silence of the Lambs, Tavis Bickle (played by Robert DeNiro) from Taxi Driver, and the young woman (played by Jesse Buckley) in i'm thinking of ending things.
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| Dr. Hannibal Lecter |
| Jame Gumb |
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| Robert Bickle |
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| The girl in i feel like ending things |
I haven't talked much about Blumenthal. She is as pretty as ever. As I write this, she has gotten under the covers after having had her mail meal for the day.
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| Blumenthal in all her glory |
So that's where I will end this for the moment. This was fun. This was refreshing. Maybe I'll follow my own advice and do this more often.
I wrote about photography earlier. Since drafting the post, I added some photos to it. These are the ones that I feel I should share or I should have shared.
The carrot for your rabbit
What is it that you chase that seems to move farther away? It makes you feel that there will be something at the end. Something that you hope you will have wanted all along and will continue to exist in a state of being desirable. Yet, with every passing day, what was once desirable becomes inconsequential. The chase seems to be here to stay.
Maybe we are excruciatingly dumb, infantile physical vessels, hosting embryonic minds caught up in algorithmic urges while trying to make sense of the why's. The carrot chasing will go on forever. Those you grab will get devoured or discarded. And you start all over again.
If you don't see a carrot, you will try to imagine it. Imagined ones can metamorpihize to creations if you try hard enough. You may even give the physical representations by inserting reminders into your own environment.
Because carrots are ubiquitous, everyone will have an opinion about them. Some will tell you that carrots are good for you. Some others will want you to forget that carrots existed. Both sets of people would sound right and wrong depending on how hungry you are for the carrot.
The occasional state of satiation, often fueled by inebriation or hormonal supersaturation, may last for a day or three. The hunger will return, and you will go back to drawing, creating, and chasing carrots. Until the time that either you lose sight---not just of carrots but of perspective---or when you realize that carrot chasing has left you dissatisfied.
Maybe we should stay above ground while the carrots remain below. Or maybe we need them carrots so as to not lose sight.
Six Months
- I have fallen in love with fountain pens all over again.
- I feel inspired to write Bowie/Depeche Mode type music.
- Blu(menthal) is just gorgeous but is an arsheole.
- I'm not young anymore.
- I want my sister/friends to know that I want a do-not-resuscitate order if I get severe COVID-19.
- I want to read books, but where do I find time?
A Beautiful Day in the Neighborhood

Source: https://cdn.flickeringmyth.com/wp-content/uploads/2019/10/a-beautiful-day-in-the-neighborhood-600x889.png
The movie was one of the three running last week that seemed worth watching. Judging by the relatively sparse listings, it was also the most "indie" among the three. Unlike most passionate movie-goers, I don't do much research on movies before I go watch them. Because it is the Oscar season, I generally end up having even better experiences by immersing myself in something that seemed to have happened more by chance than by meticulous planning, which is what my life seems to be more than I'd like to admit it is. And this is why I decided to try and gobble the movie up as the first chance I could, despite the scheduling gymnastics that I needed to do.
The movie began with an '80s looking shot of Mr. Rogers--the character Tom Hanks plays--sounding and looking funny. It was fairly obvious that his intended audience was not people like me. I guess the director wanted people like me to feel just that because I fell for it hook, line, and sinker. I guess I ought to clarify that I had no idea what I was getting into. Mr. Rogers was not a thing in my childhood, which technically started in late '79 and must have ended in the early '90s. My household was without a television until 1987 and without cable television until '94. The first thing that I remember looking forward to watching on TV was Giant Robot and Friendly Neighborhood Spiderman, that too on the national broadcaster Doordarshan. Since then, almost all of my non-sporting leisure time was usurped by the once-great MTV once I had cable.
In other words, I was an absolute virgin for Mr. Rogers and his famous TV show for kids. In fact, the movie is about a character--the jaded journalist Lloyd Vogel--who was pretty much in the same headspace as I was at the beginning of the movie. Lloyd is a cynic/critic who writes harsh articles about celebrities in Esquire, who, when given the assignment of writing a 400-word flattering piece on Mr. Rogers, reacts with a mixture of shock and disappointment. He thinks Mr. Rogers is just a TV show host putting on a fake character to get fame. I might have felt like Lloyd at the beginning of the movie, but by its end, I was like Lloyd's wife Andrea, who cherished the show and had uplifting moments in her childhood because of the show.
Lloyd is an interesting character--from my perspective--himself. His cynical self is probably a result of a troubled childhood/early adulthood thanks to a traumatic relationship with his father. Lloyd is still recovering from the trauma of watching his mother succumb to cancer after a painful terminal phase. He feels betrayed because his father Jerry wasn't there to support the family during this phase. Jerry, on the other hand, seeks help from other avenues of support while grappling with the loss of his wife, ends up in a relationship with a woman (too soon for the likes of his son), and eventually marries her. Lloyd also has an elder sister with whom he shares a complex relationship. Lloyd is married to Andrea, a grounded woman with a different upbringing, and is now coming to grips with the responsibilities of a father.
It is at this phase when Lloyd's employer assigns this task. Over several interviews with Mr. Rogers, Lloyd begins to unravel the mystery of the charm behind Mr. Rogers. At the same time, Lloyd also gets perspectives on his life, his relationships, and his responsibilities, thanks to the sagely insights that Mr. Rogers offers. Lloyd loses the cagey skepticism about Mr. Rogers and also about such people in general--the people who find a way to be empathic to others no matter what the situation is.
Mr. Rogers was/is everything that I wanted/want in my life to set things in perspective. He seems to have a bottomless well of kindness and is a master at making people he meets and interacts at ease. He is someone who can talk about something and would make sense to both children and adults without making either group uncomfortable in the way they are being talked to. The body language, the expressions, the choice of words, the tone of voice--everything seems to be perfect for an empathic connection. On top of all of this, Mr. Rogers is an actor, performer, musician, composer, songwriter, and much more. The topics that he addresses are dark concepts like anger, jealousy, death, hospitals, friendship. And yet, the words and the phrases that he chooses to use in his songs are available for everyone.
Fred Rogers seems to have been every bit what the poster said: a neighbor, an icon, and a friend. Mr. Rogers, through his show, its characters, its songs, and its conversations would end up educating children about the mysterious, difficult world that they were being ushered into without much preparation. This is the sort of thing that everyone needs, regardless of the time they are in or the age they find themselves in. Like Lloyd, I felt like watching clips of the show and learning more.
There is nothing more in the world that I seem to want than someone like Mr. Rogers in my life. Someone to help me find my empathy and lose my eternal cynicism.
Movies and Moments
In fact, I think that watching movies alone is the best way to watch good-to-great movies. By that, I mean that I have a lower threshold than most movie connoisseurs (or critics) for what I consider as high quality. Strangely, I have a high threshold for people who I consider as quality, and to be honest, an extremely small number of the people that I know have made the cut.
I am very often overcome with emotions--mostly positive--while watching non-blockbuster movies. For someone who struggles to find anything meaningfully moving in life, these are precious.
Today, I went to the movies with J to watch Ford vs. Ferrari. This was one of the few movies that we end up watching that we both badly wanted to watch. But we couldn't figure logistics out to watch when it initially released. In such cases, I'm the one who regularly checks listings for movies that pique my interest on my IMDB browsings.
Thanks to the locality that I live in, which features within walking distance three of the best movie theaters in Mumbai in terms of the variety and show options, we were able to get ourselves to the lone afternoon show.
I'm not too much into cars and automobiles. So I wasn't too chuffed to have finally managed to get myself to go watch it. Well at least until the movie started. Each time Ken Miles and Carroll Shelby overcame the odds and adversities, I cried. Must have been four or five times.
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| Source: https://i.redd.it/t3tktn59m2x31.jpg |
Side Notes:
- While I was writing this post, I realized that there is a pattern to these. I started having such momements around the time my first official depression episode. It's almost as if my depression puts a cap on my emotions which is popped open only when I find myself in an immersive state of watching/reading well-enacted/well-written powerful stories with very little "trim-the-fat" requirements.
- J wonders whether my lack of empathy and inaccessibility to regular emotions is because of antidepressant medications. Unlikely, because I'm on a mood stabilizer that does not seem to have such side effects.
- I want to move out of fucking Mumbai. To the middle of nowhere. Where there are less people and there is less noise. And I think I'll be at least less unhappy in such a place. The only thing that I'll miss Bombay for is the movie-going luxury--that is if can't find this in where I would move to.
- The movies that I have had such experiences that I immediately recall are:
- 12 Years a Slave
- Article 15
- A Star is Born
- A Single Man
- Babel
- Bohemian Rhapsody
- Brokeback Mountain
- Capote
- Crash
- Gully Boy
- Imitation Game
- Interstellar
- La La Land
- Little Miss Sunshine
- Midnight in Paris
- Milk
- Munich
- Rocket-man
- Sideways
- Silver Linings Playbook
- The Aviator
- The Departed
- The Green Book
- The Theory of EverythingThree Billboards Outside Ebbing, Missouri
- Whiplash
The constancy of disappointment
No matter what you would like to tell yourself, the things that you end up doing and the things that you are supposed to do well is a mixed bag of things that you did not have much control over. You might be a lawyer or a painter. If you are lucky (read privileged), you might have been able to make this decision yourself without worrying about personal, monetary, and social security. I am sure you would like to think that you had a say in deciding that for yourself.
Sure, a lot of people (including me) had opportunities to make these decisions. But who is to say that these decisions are indeed independent.
What if I tell you that while making the seemingly independent decision to pursue a career, you were influenced by all the things that you have experienced until that decision-making point. And all of that is influenced by the place you grew up in, the people you shared your childhood with you, the stuff you read, the placed where you had your education, and shows you watched on TV, the songs you grew up dancing to, and so on.
For example, maybe if the six-year-old me had not accepted the invitation to play cricket with two grown men who lived in the house behind where I lived, I wouldn't have been a medical doctor or a musician. "How" is an interesting question. The house that I went to play in had kittens and cats and one of two grown men had a great music cassette/CD collection.
- Getting exposed to kittens and cats, handling them, getting used to animals, having pets, liking zoology and botany, studying these, giving the entrance test for medicine, enjoy handling/taking care of human beings.
- Getting exposed to music [being born in a family with musicians, getting lessons in Carnatic music], borrowing CDs of '70s/'80s/'90s music, listening to these on my hi-fi, meeting friends/neighbors who enjoyed similar music, wanting to emulate some of the music by playing drums on tabletops, picking up guitar after my sister forced me to, enjoying learning songs, feeling great about writing songs, recording/producing songs, moving to Mumbai and exploring a career as a musician, playing live music in Mumbai.
I'm not disappointed with my decisions themselves. On the contrary, I'm proud of making these decisions. I'm even okay with the difficult decision of having to give up practice for pursuing music and editing. What I'm not okay with is the inability to help the people who seek guidance from me regarding their health problems. I can help them to a certain extent, but I don't have knowledge/skills and tools/resources to help them the way that I want.
For example, J wants a cure for the dozen or so ailments that he seems to have. I can't give him that. My sister wants a cure for the speech/learning disability that my niece has. I can't help her much other than reading up about some details that she shares. Even if I could have an opportunity to spend more time with my niece and may physically be around her to help my sister with whatever she needs to do for my niece, I can't because of my tendencies to need alone time.
On the other hand, with music, despite my feeling happy/proud of the stuff that I have achieved, I'm constantly disappointed with the improvements that I have not been able to make as a musician and the inability to release the tracks after professionally recording/producing them. When I try to write new stuff, I disappoint myself by not being able to come up with even better stuff that I can come up with.
A year or so back, I was absolutely excited about writing/publishing more music. I was also thrilled at the possibility of exploring higher studies abroad and settling somewhere nice. Around that time, I went out for drinks with a couple of friends. It was a farewell thing for one of the two moving abroad. Somewhere in the conversation, I had said that I thought I would be happier and contended if I were to move abroad and find a place where there are not so many things that annoy me like how Bombay does.
My friend had said, "No. You will find things to get annoyed by. You will find things to worry about. You will not be happy." I saw some truth in this at that time. Since then, I have done close to nothing to change my state of affairs.
Now, I am starting to realize that I'll never be happy. Whatever I do, I'll be dissatisfied with myself. Whatever, I get good at, I'll find ways to be more self-critical than I should be.
Situations could change but disappointment is a constant.
What does one do?
I guess one thinks about make one's loved ones sit at a table and ask leave from them for life—to disappear somewhere and start over.
The artist/creator conundrum
Nudges
Technically, everyone you meet and interact with you should too. In my case, it's not so. Probably because I go out of my way to limit my interactions with people. People are one of the most consistently disappointing things that I encounter in my daily life--the reason could be high expectations that I set for them, low returns that I get from them, or a combination of both. I find myself checking out of conversations somewhere between 20 minutes and 45 minutes after meeting someone. Even with people I love and that I care about.
And yet, at least one such interaction has resulted in a nudge.
A few days ago, J told me that he was moved after reading my then last post on the blog. He, I guess, could relate more to me as a person through my post because I'm particularly pitiful in conveying emotions in real life. I appear cold and distant. But it is representative of what I feel like these days.
J also said he was exploring some of the older posts after having conversations with AV. They get along well with each other on Facebook, thanks to their shared interest in photography. In fact, they interact way more with each other than I manage to interact with AV.
When I asked J about what they were talking about, J said that it was not about my depression. AV had brought up some issues that he was having with some posts on my blog with him and that's why he had started reading my blog.
Parallelly, AV and I have also been having conversations about how to get people to not find those posts about him on the blog. He said he gets a lot of shit from antagonists on Facebook photography groups, where he posts his idiosyncratically brilliant photographs and engages with people in fiery comment threads (with questionable political correctness). He now wants me to ensure that such posts don't show up on Google searches.
One of my most popular posts was a photobiography of his life. This was my attempt at showcasing his art to the world. His photography, through which his incredible mind shines, had remained more or less inaccessible to the real world thanks to his social anxiety/phobia. Within a few months of meeting him in 2007, I wanted to help him display his photographs in an art gallery in New York. I thought I could do it. I thought I could help him leave a legacy in the real world.
He had scoffed at my cherubic optimism. I couldn't do it like how I wanted to, but I did manage to push him into opening accounts on Flickr and Facebook. His Flickr stint didn't last too long, but he stuck with Facebook. It is probably what keeps him going these days. He uses Facebook to post photos and get comments and reactions from his friends and, more importantly, from strangers. And some of these strangers look him up when they are upset with something he posts or says, and that leads to my blog posts.
I have been naive and careless about the internet all my life. In 1997, I started warming up to HTML. In 2002, I created a website for my medical school batchmates. I had copied all the content available in a book that was published after we graduated and then started posting updates on their whereabouts. The website was hosted on GeoCities and the content still comes up on Google searches. Some of my classmates are pissed by it, and I'm still trying to find my way out of that mess.
Back to nudges. I guess everyone is figuring out how to find a way out of their labyrinthine miseries. Like how I am trying to get past my current low phase. I have heard a lot of people talk their way out of things with superfluous stuff like, "It's all about the journey and not the destination." Thanks to these nudges, the path that I take (and thus the journey) deviates ever so slightly from what seems like a course of certain doom. Mabye the destination doesn't change and it's just a slight detour. But the journey does. Or it has.
Back to J. So when J brought up my blog, I felt a certain sense of pride. I have always felt that I communicated better in writing than I could ever do in any other mode of communication. Hell, I have met more people by making people laugh and entertaining them on gay social networking chat rooms. So I went back to the blog(s). I hadn't posted in a while. And then I posted All I Want is Solitude, Slide-show, and The Last Best Things.
I felt satisfied. I felt closer to how to I used to feel. I felt like I had done something meaningful. I don't feel that too often.
There were other nudges too. Two weeks ago, during the commute to an outstation gig, I spent most of my time listening to an audiobook. It was the audio version of Judas Unchained by Peter Hamilton--a book I had started three years back. Sometime during the ride, I felt like switching to something else.
I looked for music in my dumber of my two smartphones. It's dumber because it's older and it does not have access to mobile internet. It is a Nexus 5 whose motherboard must feel like a teenager thanks to the number of fixes it needed to keep it going. It does not have a functioning mobile radio antenna and hence does not have a SIM card. It might be dumber, but it is the one that I'm more fond of and feel more safe with. I feel that it is safer because it is not the phone on which I have to interact with people. People tend to bring bad news. Communicating with people make me anxious. That overwhelming sense of expectations and responsibility.
So my dumber phone functions like an iPod. It has everything that I might want to listen to. The vast majority of what I want to listen to is podcasts--on combat sports, science, technology, astronomy, skepticism, conspiracy theories, etc. Audiobooks occupy a much lesser, but significant, chunk of its limited memory. I have a few folders in it with some music. Mostly music that I have to listen to for preparing my sets. But there are also some folders with versions of some of my songs. I keep these folders so that I can remind myself that I can be creative.
I switched to listening to my songs. Mainly because I wanted to check out how they sounded on my new Bluetooth headphones, which have the necklace thing along with the earbuds. As I guess is the case when artists revisit their unfinished pieces after a long time, I was pleasantly surprised. I was enjoying listening to the songs that I had written, recorded, and produced. They were so out of my consciousness that I was intrigued by them initially. I remember smiling and chuckling at the lyrics that I had come up with. If you are wondering, I can't remember my lyrics to save my life.
This whole experience was another little nudge because I had revisited something that I was proud of. I felt like I had done something worthwhile and I was capable of doing something that could also help me leave a legacy. I don't think I much care(d) about leaving a legacy, but I have always wanted to showcase what I could do—at what I think I'm good at doing—to the world. I guess I would also like some recognition, but that's not the most important reason. I would like to think that I want people to feel what I have felt, and I truly hope that I have translated my feelings and thoughts sufficiently adeptly into these songs.
Another nudge happened around that time. Since starting Judas Unchained in 2017, I have just finished about 400 pages. It is the only book I'm officially reading. It's fair to say that I was not reading much. At J's best friend's farewell party, which I reluctantly agreed to go for, I found myself checking out of people and conversations fast. In the middle of the party, in one of several attempts to separate myself from the raucous conversation, I walked into J's friend's bedroom and found a copy of Narcopolis by Jeet Thayil. I read the the first 30-odd pages. The sheer pleasure of opening a paperback, sifting through pages, enjoying the different angles that one could gaze the pages at, and getting lost in that brilliant chapter are all cliched mediocre aspects of reading a physical book. But for me, it was another nudge. I had suddenly rediscovered the joy of reading a new book, which opened up the possibility of reading many more.
The next night, I found my Kindle Paperwhite and charged it. I logged out of my .com Amazon account and logged in with my .in account so that I can access the books that I have been reading on my other Kindle.
Yes, I have two Kindles. The Paperwhite is mine, and the other (a much older one with a physical keyboard) is a gift from Blummer. It was Blummer's father's and Blummer gave it to me after his passing. In the last three years, I have preferred reading on the older Kindle because it felt more like reading a physical book (because it does not have a backlight) and because I loved its physical page-turn buttons. But it is a problem if I wanted to read in bed with the lights turned off. I either have to use my dumber smartphone (because it has kickback stand in its case) or the Paperwhite.
After the Narcopolis experience, I wanted to get back to being on my Paperwhite because I could read in bed and drift to sleep. Instead of watching something and having to turn that thing off. Since then, apart from continuing Judas Unchained, I started a John le Carre book. Some progress.
Reading goes hand in hand with writing. The more I read, the more I want to write. That meant more posts, of which this, hopefully, will be the fourth.
There have been other nudges too in these past two weeks.
Buying those necklace headphones meant that I could listen to my podcasts with my helmet on while riding my bicycle, which I primarily use for commuting to work and grocery shopping. Listening to podcasts while cycling is liberating!
In another conversation three weeks ago, J had asked me to figure out a way to restart therapy and make it more regular. I had managed to get the first session done two days after I posted my first post in a long time. I don't consider the therapy itself as a nudge, but my efforts for fomdomg a fix to remedy my current situation was one.
My maid has been giving me a fresh set of problems since she started coming a few months back. Despite me requesting her several times to do dusting and other types of cleaning more than sweep/swab and doing the dishes, she was just following her usual routines. This past week, I had a conversation with her explaining what I wanted her to do. The next day was a no-show from her. I was frustrated and I wanted to set an example.
I spent about five hours in cleaning up the apartment so that she could see how things looked if things were done properly. The next day, I did the dishes and cleaned the counter and made the bed before I left for work. She must have been surprised that I had done all of that. Today I met her and explained that things are not working out the way they are being done. I proposed an alternate strategy of focusing way more on dusting and deep cleaning on a fortnightly rotating basis around the apartment. I also said that I'll continue doing the things that I can.
The five-hour cleaning run was a nudge. I felt good after doing it. I had tangible results of something that I had a lot of fun doing. I have always felt a sense of satisfaction and pride after cleaning. This feeling is why I volunteer to do dishes when I go to my friends' place for dinner.
So many nudges. Most will sound inconsequential to many. But they did change the way I was doing things. The way I was thinking about things. Those nudges changed me and my future. There I said it. Every time I come across a sci-fi reference about the lack of free will, I chuckle on the inside. I guess I chuckle(d) a lot when I used to watch Passengers or think about Trafalmadorians.
Last night, I found myself telling J that I might be past my current phase's nadir. Maybe I have. That's where I am now. Feeling better. Thanks to these nudges.
Engayging Life has moved to WordPress
Engayging Life has fully moved to WordPress
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