Finding a purpose

They say that life’s all about finding a purpose. Something to live for. Something to aspire to. Somewhere to aim at.

I find myself in the mid-dest part of a mid-life lull where I don’t think I know have answers. Not that I claim to always have had answers or that I will have answers moving forward.

But right now, as I type this, I’m in the middle of a week where I just heard yet another reason as to why I won’t be finding some answers.

I find myself at a crossroads without really knowing what I’m doing to earn a living—which is not quite what I was supposed to be doing to earn a living, by the way—is what I’m supposed to be doing.

Sure, everyone has been there or they will be there. No big deal. At least not until they find themselves there.

I know that I want to learn things that I don’t know I want to learn. I know that I want to experience others’ thoughts and feelings and vision in as close a way as possible with the original artistic intent.

With the knowledge that I gain from there, I know I want to write and create art. I know I want to build a legacy with these artistic and creative endeavors.

I suppose I must make it clear that they visions that I have are not restricted to music. As a musician, however, I know that I don’t know if I’m the right performer for the art that I have created thus far.

The idyl of clarity—maybe that’s a bit too far—of a lack of fuzziness. Maybe I’ll have that in a month’s time. Maybe I’ll grow a big enough pair and decide to step away from comforting mediocrity to challenging uncertainty.

Dr. Burns, I’m Hooked Now

Everyone should know Aqua and their song Doctor Jones.

Or should they?

Dr. Burns, specifically Dr. David Burns, the author of the popular book Feeling Good: The New Mood Therapy would disagree citing multiple reasons.

Things like all-or-none thinking (Everyone should know…)and should statements (should know…) are some of the cognitive distortions that Dr. Burns lists in the book.

I’m making my way slowly through the book and I have to say I’m finding it helpful—helpful to understand what I’m going through with my depression and how severe, and deep-rooted it is.

I scored 74/100 in the Dr. Burns’ checklist. That’s the cusp between Severe (51-75) and Extreme (76-100) (read more here).

I was convinced that my partner J is also suffering from moderate to severe symptoms, but he came in at mild depression scoring 12/100.

I was/am shocked. Happy for him, but shocked that I’m so much further down than I thought I was.

So here’s my little ditty:

Dr. Burns, Dr. Burns
Calling Dr. Burns
Dr. Burns, Dr. Burns
I’m hooked now

Why don’t I invite you to try the book out yourself?

The full list of cognitive distortions is below; read more about it here:

  1. All-or-None Thinking
  2. Over-generalization
  3. Mental filter
  4. Discounting the positive
  5. Jumping to conclusions
    1. Mind-reading
    2. Fortune-telling
  6. Magnification
  7. Emotional reasoning
  8. “Should” statements
  9. Labeling
  10. Personalization and blame

COVID and Severe Depression

I have heard a lot many people talk about their experiences with COVID. Now that I have had it for about 10 days, I find myself in the same boat. I don’t feel like how I feel with my usual flu/viral infection.

I feel drained. My nose isn’t blocked but I still feel like it is. Nothing wrong with my throat, which is very unlike the usual. I’m triple-vaccinated. I have been extremely careful.

I must have contracted it at a gig where I think I was the only individual masking and/or attempting social distancing. Imagine that.

I had a tough evening yesterday. I thought I made my worst meal ever. Partially thanks to the partial impairments of my olfactory and gustatory systems.

The noise from the Ganpati processions (if you are not sure about what this means, read this) was loud well past midnight and I failed to catch my first wave of sleep. I tried to watch boring TV shows (Star Trek: The Original Show and the Big Bang Theory) but I couldn’t. Ended up watching an episode of Mr. Robot.

So I woke up shitty. Felt like calling in sick. Instead, I’m trying to motor on. Don’t have too many sick leaves.

I tried to fix an issue with a door handle by myself. Failed at it as well. Eventually, called a carpenter in.

All of this made me want to read something else with my morning coffee. So I started (maybe restarted) Feeling Good: The New Mood Therapy by Dr. David Burns. Been meaning to read it since my therapist brought it up several years ago.

Took the Burn’s Depression Checklist. And I got 74 (out of 100). That means I have Severe Depression. I’m just 1 point shy of Extreme Depression.

Wow.

But I guess that’s how I have been feeling. Burns talks about a score of 5 or less being normal.

Uncertainties and Inconsistencies

Crossroads everywhere. Career, music, life.

It’s been yet another break. Months have passed and I have been stuck in my shell. Been working on things, as usual, but nothing to showcase.

I am a content creator. I was. Maybe I’m trying to be once again. Content creators are expected to be consistent in content generation and publishing.

At the top of every week, I make a list of things to focus on. I write “Write” and “Blog” like clockwork.

It’s been tough to admit defeat at the end of every week. Like many, I don’t like admitting defeat.

I learned some coding but it has already become just another thing for which I can beat myself up.

Also I finally had COVID. Mild to moderate symptoms. It has been a different experience, and I probably contracted it at a packed gig.

I had one of the most incredible experiences playing at that gig. I have been taking vocal lessons and I have been singing better than ever. Yet I have never felt closer to giving up on music.

Remember my decision to not be active on social media? The thing that musicians and content creators need to be good at to be successful. I continue to not be sensible.

Read a bunch of books. Watched a bunch of shows. I guess that’s what is occupying more of my time.

One TV show reference worth mentioning. Best Quality Vacuum. And I guess I want to pick up and say

“I need a dust filter for a Hoover Max extract pressure pro model 60. Can you help me with that?”

How NOT to Share Feedback with Artists

My search for performance coaches has not yet yielded a viable one. These individuals are highly accomplished and trained individuals whose fees are like sledgehammers, something someone making a living in India will struggle to meet.

Hence, I turned to my extended friend circle and asked around. Basically, I texted a select few friends to query if they had such a skillset, and if they did, I asked if they would be interested to coach me. In all fairness, it was not so difficult to find the likely candidates. Both the people I got in touch did have the skillset, one of them, said they could work with me. Yesterday evening, I had my first meeting with the one.

It’s a he. It’s a he who I have had a physical relationship with. It’s a he who has been there for me, by my side, in some of my darkest phases. It’s a he who has given me unforgettable experiences of various kinds. It’s a he who has been consistently welcoming toward me in the several versions that I have iterated myself through. I’ll refer to him as SP.

SP, in a nutshell, said that the most important thing that I need to do is to believe in myself and my potential. He wants me to be confident to ‘market’ myself and work on my networking skills. He thinks that one needs to have a certain blend of arrogance and indifference toward the world. Our meeting ended with the promise of a few more at the very least.

I was also left with an assignment. Somewhere in the middle of my narration of what I thought ailed me in terms of sharing the output of my creativity with the rest of the world, I mentioned that I have had a few traumatic experiences while attempting it previously, with some of them being with people what one would refer to as “friends”. He asked me to write down two such experiences, which will immediately follow this. I am to share these with him and we are to discuss these in our next meeting.

Traumatic Experience #1

Age: 21
Year: 2001

I had just recorded and mixed my first original song called Castle Without A Rock. The song/lyric writing, and all the performances (guitars, bass, drums, and vocals) were by me. The song itself was about the experiences that we (my close friends and I) had had around our first-ever concert as part of the New Year's Eve celebrations for the coming of 2000 (Y2K).

The landmark album Parachutes by Coldplay had been released only a few months before, and the hit song Yellow was on everyone’s minds. The reason I mention is that I thought it was a masterful song arranged relatively simplistically, which is what I was attempting to go for in my song.

It was late afternoon on a mid-summer day. As soon as I finished a decent mix for the song, I exported it in the mp3 format, copied into a portable USB drive, and ran over to my friend’s place—our usual meeting place.

The house was that of a friend who was much older than the rest of us. He was a music connoisseur and had been collecting CDs and records for years. He had a high-end hi-fi at his place. On that particular day, we were three—the older friend, a younger friend (who since then went on to be a drummer in many bands I have played with), and I.

I excitedly announced what I wanted to share with them, and I figured out a way to play the song on the hi-fi. My friends did not demonstrate any excitement. In fact, halfway through the song, the older friend started laughing, which prompted me to stop the playback. In the ensuing conversation, I explained what my intent was (in terms of artistic style). I only remember getting more chuckles and laughter. At the end of my explanation, I remember receiving some critique (on the following lines) from the older friend:

“Such work will never be received well. You might as well as give up on writing/performing music. You shouldn’t set high hopes for being a professional musician.”

Years later, I would take courses on Coursera, with some of them being on songwriting and musicianship. One of the important aspects of every such course is the importance of learning to share feedback with peers. The entire focus is on the need for kind, constructive feedback, with strong advice against harsh and hypercritical ones. I guess my friend did not know this, despite him being a popular and successful teacher in accounting.

I don’t remember my younger friend sharing anything on the song. This despite him and me having been jamming regularly for several months and having dreams of being in a band and writing songs. Years later, I remember him coming around and admitting to how highly he thought highly of some of my later work.

This incident was followed by another traumatic incident with the younger friend’s family. These two incidents were triggers for my eventual move away from Thiruvananthapuram. The incident also started the gradual severance of the friendship with the older friend. Although I continued to work with and be friends with the younger one, things have never been really the same.

Traumatic Experience #2

Age: 28
Year: 2008

I had just released an EP of five of my songs on MySpace. Although I was sure of the quality of my songwriting, I was aware of my production and performances not being up to the mark for radio airplay. The songs were actually recorded with the aim of a submission for a talent hunt by the premier indie record label then. The idea was for me to showcase my work so that they would consider me signing with them as an artist under their label.

Back then, I was actively involved in networking in the music scene, being part of two popular bands on the rise. I also personally knew many active musicians and was friends with some of them. Internet chats were popular. I had just struck up a chat conversation with one of the scene guys on MySpace.

He was someone who I respected and looked up to at that time. He was funny and charming and was part of at least two successful bands. Later on, I’d realize that he belonged to a clique of musicians who were fortunate enough to know each other from their school days, with their collective might propelling them to the top of the indie music scene.

I remember thinking that I will ask his opinion as to how to go about taking my project on live touring, considering that he and his bands were doing that consistently for a few years. I had shared the links of my songs and asked him for his opinion. The lasting memory that I have of this conversation is him telling me this:

“Who is this fucking singer, man! He is so baaadd, oh my god. I have never heard worse singing in my life!”

I left the conversation with him and have never talked to him properly since then. This crushed me in ways that I can’t even describe. It triggered my reluctance to share my work with my friends and “scene guys”. It also created roadblocks for me to share songwriting ideas with my then band, which I partially overcame in the coming years.

Like with the previous incident, I experienced a life-changing traumatic event soon after. This time, I would almost lose my partner to near-fatal health complications during his visit.

He had come to Mumbai from New York City, with the intent of figuring out a way to eventually move to India to be with me. In the course of the next few weeks in India, and in the following months in the US, he would go through multiple devastating health events which would render him in a state of dementia, where he would not even recognize me or our relationship. This wiped out our bank accounts, and would eventually result in me failing my exams for the first time in my life.

The series of unfortunate events triggered the darkest phase of depression I think I have gone through. I would spend several months toying with the idea of suicide. Eventually, with the help of some close friends and the partially-recovered partner, I started taking medications for depression. I somehow found the courage and drive to give my post-graduation exams, and would eventually pass them on second attempt.

On the positive side, this incident also guided me to explore ways to improve my voice, and I eventually even found a vocal coach, who restored a lot of the confidence that I had lost. Eventually, I would find the courage to share my work with a select few friends, and most of them would end up having startlingly different opinions.

The band that I am in right now includes two such people. I remember having played my songs on the car stereo on a ride back from a rehearsal. I was only seeking feedback on my choice of guitar tones. After listening to a few songs, they would tell me how awesome these songs are, why I hadn’t yet shared these with them, and that they would love to work on these songs in a band project.

PS: The one thing that I realize after my first meeting with SP is that performance coaches (and performers, as a matter of fact) are those individuals who have figured out ways to overcome their self-doubts and negativity in a consistently replicable manner.

Pariahs at Parties

It’s almost two years since the first lockdown. Two years losing the joys that we all took for granted, with many losing multiple battles on the way. Life-changing for everyone, generation-changing for many. I wonder how many remain comfortable in their lives, having gotten through so much, which I happen to be one.

I am relatively less affected—and may be even somewhat positively affected—one would argue that this is a privilege. I have changed my lifestyle and have become far healthier than I have ever been. I have mastered the art of eating only when one has to eat, and have incorporated daily exercise in my routine. Hell, I even enjoy running these days, something that had been as unpleasurable as toast (rather than non-toasted bread) was once. For me, that is. I do admit occasionally to such crudeness, and today I’m feeling magnanimously humble.

The malapropism “social distancing”—which will likely remain the most appropriate among the indelible descriptors for this biennial period—has been a splendrous graduation party for the socially handicapped folk like me. Our world had become accepted. Our world had become the right one. Our world had become the safer one.

My current 30-month “phase” of depression—which can’t quite be labeled as such because of how individually/personally productive I have been during it—is currently manifesting only an as almost complete lack of social-ness. To be more precise, the lack of and the lack of desire for social interactions that can be avoided.

Social interactions for work—and not necessarily at work—within the confines of one’s roles and expectations, are acceptable. Those one must have when one is out on the road are too. Those that one needs to have, with a handpicked set of people who have somehow been demarcated from the vast swathes of humanity that were once friends, are acceptable too. But nothing beyond. Nothing else.

I ask myself why. And I have the most politically incorrect, crude, robotic answers. Podcasts bring in more condensed conversations with better production values—with a play-pause-rewind functionality and 0.5-4x speed controls. Books bring the wonders of thought, knowledge, imagination, and language, with the precision that human beings almost always lack in real life. YouTube videos go through more editing than a human could ever hope to do in conversations in their lifetime.

None of them involve the need to be face-to-face with people, breathing the same infectious air while adhering the conventions of interpersonal interactions. Let’s just admit it: real-life conversations at dinners and parties are mediocre at best—for quality, for focus, for entertainment, for knowledge, for comfort, for comprehension, for retention, for education, for refinement.

The pandemic is not yet over. Really, it isn’t. Especially for us. People like me should aim to systematically break down every attempt at breaking the current norm—by logic, reason, and science. And when we fail, when we decide that you ought to be more serious at fulfilling our social role—as siblings, as partners, as a friends—we will fail again.

Because we then suddenly find ourselves in these agglomerations of people, who revel in themselves and in their stupid anecdotes and experiences, sharing the compulsively often at the slightest of provocations, making themselves look life fools in the process, helped on the way by the excess food and wine than they help themselves to.

And there is nothing we can do but stare away from them, walk past them, ignore them. Hoping that they would think of something better to do than talk to us, and that they wouldn’t think “what a dork—what a loser”. We look at walls, leaves, and the sky, but all of these are finite. We look for the lone hammock in a corner somewhere and settle ourselves with a book, until a few ectopics from the agglomerations arrive at the conclusion that right by the hammock is a great place to smoke up.

And then we slip away and find ourselves a chair and hide behind the bushes by the pool, feeling the strongest wave of sleep that we will have for the next year or so. We read a bit, think a bit more, worry a lot, and doze off for a few seconds. Until it is time to have food—something that we really don’t want to have, but after having which we squirm our way out past more humanity, avoiding more stares and mindless conversations.

The social role that we once had has now become extinct, and with that, we have become even more so. Yet, we continue having the best times of our lives, alone and being brilliant. It remains to be at the cost of everyone who we choose to continue to interact with—or is it choose to continue to be a burden for? And that’s the price we will pay.

Our thoughts, especially the way they were decided to be shared, are most unflattering—easily categorizable as obnoxious, self-centered, egotistic. But we do have, to blame, the provocative situation of the agglomerations. Anyone’s guess as to how this situation is similar to or different from the aforementioned unprovoked sharings, the same that we try to run away from.

There Used To Be A time

 

There used to be a time I’d chronicle how today goes and the past one went. There used to be a time when I did not know that my attempts at attempting to emulate the greats and failing miserably was embarrassing but rewarding. There used to be a time when Sunday morning meant a ride to a mall and a cappuccino and deep Black Forest cake. There used to be a time when the lack of certainty in what’s about to come received less titration—in fact it used to be acceptable and somewhat expected.

There used to be a time when I would not find myself constantly working on improving the things that I was not good at, which I was tired of admitting that I am not good at. There used to be a time when reading meant getting lost more than studying the art of what is being written about and how it is being delivered. There used to be a time when greeting relative strangers in the morning was something that I would not flinch from; dare I say I would look forward to.

There used to be a time when being able to listen to the songs of your choice while not being tethered to the place you were in was a luxury that only the shrewd ones chose to have. There used to be a time when birthdays were days that were special, something to be celebrated with friends over an opulent, indulgent meal. There used to be a time when meals were explorative, varied, and flavor-oriented and not cumbersome nutrition-delivery activities.

There used to be a time when walking around town was light and explorative. There used to be a time when the chase of glory was something sunk in so far deep that it was difficult to be aware of its presence. There used to be a time when the sound of coconut tree leaves lapping against the wind used to be sufficiently distinct for one to notice it and to associate with other memories. There used to a time when catching up, with the world, on cinema is something that was less of a chore.

There used to be a time when falling in love and staying in it was more joy and longing than a burden of expectation. There used to be a time when home was still something to stay away from, but still something worth looking forward to coming back to. There used to be a time when the shades of blue and green and red were something that you did not know changed if you went sufficiently far away from where you were when you had the misconception.

There used to be a time when the delivery of art, or the attempts of attempting to deliver it, were not such conscious efforts of delivery. There used to be a time when the light was bright and the was mind was light. There used to be a time when I used to long less for how things used to be.

Julie

2345 words | 13 min

Note: This is a long, dark, graphic post. User discretion is recommended.

Julie was my pet dog through my late adolescence and early adulthood. One of the plausible reasons why I haven’t written about her is that I haven’t gotten over the trauma of the evening that I had to part with her.

I’d, in fact, realized that I had not written much about Julie, after my search for the same returned just two superficial references (Monday Blues [2004] and Animal Instinct [2011]). I did the search for a special reason, which I’ll write about in my next post. In fact, it was at the end of writing that post that I decided that I needed to write about her before writing about anything else.

I had adopted Julie from an animal shelter ran by a lady, who was featured in the Young World supplement that came along with The Hindu on Saturdays. Along with Julie, I had adopted her name, which was originally assigned by the lady. I chose Julie over the other available options for adoption because she was unlike any other puppy/dog I had had a chance to interact with.

While I wrote the previous paragraph, I cringed at my choice of words that imply my omnipotency in the matter, almost ignoring Julie’s role in it. These choices do paint me in a cruel, insensitive, materialistic light, which is fairly close to how I’d expect myself to come across by the time you reached the end of this post. I reckon I must have been like that when I was younger, at least more than I’d like to admit that I’m now.

I remember being told that Julie was about ten weeks old after I had properly looked at her for the first time. I was seventeen at that time, having just finished my first year at Medical College. I was also let known that she did not have a known direct lineage that she was aware of, which plainly meant that Julie had been rescued from the streets.

She was a short-haired, mixed breed dog (a “mongrel” or a “mutt” for the ease of comprehension). She had a predominantly brown coat whose shade I can only describe as somewhere in between syrup and cinnamon brown. Fair warning:the overexposed, poorly framed photograph I share below—the only one of hers that I was able to find—would suggest otherwise.


Her paws and the tail tips were white, complemented by an almost perfectly symmetrical white jacket with collars seemingly sown into her pelt, with the white hairs trailing off while making their way to her underbelly. Even as a puppy, she had an unusual skeletal structure, which over the years would fill up to make her appear shorter than stouter, and heavier than unhealthy. I guess my lack of awareness of what constituted a healthy diet for dogs could have also played a role in these morphological transformations. 

Her eyes were a blend of caramel and chocolate brown, conveying a wonderful blend of naughtiness and maturity. She had a dirty pink nose that was so soft that I often had the urge to bite it off. Thankfully, I did not need to resort to such extremes, and had instead ended up kissing the nose and booping her at every chance I got.

Her breath was fresh enough for making a strong case to burn dictionaries for the fallacious definition of dog breath, and the scent of her paws and toe beans could be mistaken for the fragrances of fermented rice cakes. She is the reason I bury my nose in the paws of all my pets!

But the real reason why I went for—or after—her was because she got along well with cats, which was an important criterion because my household had around half a dozen cats of varying ages at any point in time. In fact, I’d gone to that particular shelter because of it being a safe house for both cats and dogs.

Before adopting Julie, I had little experience in being with dogs, especially at the collegial level that I find myself with them these days. She taught me things that no man or woman could ever teach, and I think she groomed and mentored me as much I did her.

This is not to imply that ours was a perfect relationship, with me having a longer, shallower learning curve after having being with felines as companions for much longer. I must have felt frustrated and alienated with her like how most people that you would come upon would feel about cats.

I remember the sense of liberation when she would take the lead, without quite dragging me along, in our walks around the neighborhood, which would extend beyond our little housing colony as she grew into an adult. I guess a more appropriate term for describing my neighborhood would be a tiny township and not a housing colony.

I would eventually take her to grocery shopping and on walks to my cousins’ place a kilometer and half away, which is a significant distance between two locations in Thiruvananthapuram. As a couple, we would attract strange looks and conversations on the way as well as at our destinations.

At that time in Kerala, dogs were mostly relegated to an ancillary security role, spending most of their daytimes chained or locked in dog cages, hardly getting any human playtime. They would be let free at night, during when they would run around the houses within the confines of the compound walls and gates barking at street dogs, cats, and passersby.

I was surprised at how fast my feline pack warming up to Julie—the lack of significant size differential must have helped. At the time of her arrival, Julie was definitely smaller than the adult mom cat and was only slightly bigger than the youngest kittens/cats at the time of her arrival.

Yet, it seemed too soon for my cats to assume that a strange puppy/dog would be safe enough to let their guards down, considering how the dogs in my neighborhood never stopped chased them around. I guess Julie was more intuitive than I gave her credit for at first, which also manifested in her knowing what (literal) lines to cross and not, at home.

I must remind everyone that I lived in a Tamil Brahmin household in Kerala. In houses like mine, different mammals and genders were assigned different lines that weren’t to be crossed. They were also allowed different privileges, whose mere allowances needed to be viewed upon as offerings of kindness and modernity that had somehow infiltrated the dungeons of regressive thinking. This was one of the many reasons why I would eventually alienate myself from my family—the immediate one and the extended one alike.

Julie would end up donning the de facto maternal role among the band comprising my cats, myself, and her. Julie was a better ratter (I should really say “mice-r”) than my cats would ever be. I remember many a time when I could sense the disappointment in her eyes on the days when we would all be on a loft or on the terrace, playing the role of exterminators. She would watch her feline peers be sloppy in executing the members of a mischief fleeing for their lives, and would have to cover for them, almost too casually.

She would extend this to protecting the kittens from all sort of threats while I was away or when the mom cats (I would end up having two of them eventually) would be away fighting or fornicating. Most days, she would end up being the lone warrior fending off all the tomcats would arrive for the genetic cleansing of their rivals’ progeny. I could only be a facilitator for the true guardianship that Julie offered, by opening doors and gates when the need arose.

Julie, along with the cats, would give me company at early mornings and late nights, while I was studying, reading, or rehearsing, regardless of whether I was happy, sad, anxious, or hurting. She was not much of a sleeper in bed, probably because she felt like she should instead protect her dependents—which included me of course—who chose to (or needed to) sleep in the bed in various physical combinations and arrangements.

She eventually became the lone liaison between an estranged son and apathetic parents. Yet, her strength proved to be too little to prevent the widening of the chasm, resulting in my moving to Mumbai. This, in turn, resulted in the decision of her needing to be returned to the shelter. After a year of me being away, my parents had finally admitted to a combination of being frustrated with the need to, and their inability to, take care of Julie, demanding that I take care of the situation.

On the day of my separation with Julie, I vaguely remember what I had felt before I arranged for a rickshaw for the trip. I must have felt like a murderer with a motivation that could be presented as relatable in the hands of a masterful storyteller. Someone about to commit a heinous act that could be painted over with the kindness and morality they would show in their future toward others, allowing for at least a partial redemption.

In retrospect, I realize that this experience is one of several in my life that have consolidated the fact that losing someone alive is far more damaging than losing someone at their death.

Yet, on the day, I remember the rickshaw ride being unremarkable except of a mild feeling of betrayal toward Julie. The anger, frustration, and resentment toward my parents must have been overpowering the dread and pain of impending loss and separation.

I wonder if the expectation of the impending phrenic amputation had lent itself as an anesthetic. Maybe the evening traffic on the road to the airport helped a little. But I guess most of the credit ought to go to the scars from the past of the wounds in similar scenes of stowaway violence and trauma.

As an even younger child—and by that I mean the pre-Julie phase—I had many experiences of needing to either discard litters of kittens or be complicit/responsible for their death. The former because no one would want to assume the responsibility of taking care of them. The latter because I was solely responsible for taking care of the kittens and cats that I would dare to take care of, which meant that if they fell ill or were hurt, I would have to figure out ways to transport them to the veterinary hospital regardless of the urgency warranted.

As a child, I did not have the means or the knowledge to transport kittens safely. This meant that I’d have to endure multiple instance of kittens dying—in my arms or in ill-ventilated boxes/bags/baskets, in rickshaws or on my bicycle, in transit or after reaching the hospital.

I’d eventually find myself cocooned in a state of surreal shock in a pool of cold-blooded reality overlaid by the sights and sounds of loved ones grappling with death. These experiences left me with no one but myself to blame, for having allowed them to happen and having allowed myself to be in such situations.

Julie must have had at least a vague feeling of being discarded, but she did not act it out until I started walking away from her after handing her, in leash, over to someone at the shelter. I don’t even remember if I’d met the same lady who had handed over Julie over to me seven years ago. She must have thought highly of me then—a young medical student wanting to adopt a stray puppy who will get along with his cats. What a magnanimous, charitable gesture.

I must not have even looked up at whosever’s face that I was talking to, while casually and indifferently delivering my rehearsed reason to justify what I selfishly needed to do. To take care of myself, at the pretense of taking care of my parents, who I needed to get far away from, both physically and emotionally. As I walked I away, I did not have the courage to acknowledge Julie’s yelps and cries, which reeked of betrayal and hurt and sadness.

These audibles haunt me to this very day. I wish I had carried a pair of headphones that evening, so I could shield myself from the world. Or that I would have had the thrum of a waiting rickshaw engine to do the same. Or that I had asked the caretakers to take Julie inside the house and keep her distracted while I snuck out. Or that I would have had the courage to not commit this cowardly act.

But the fact is that I didn’t do any of these things, and did not even think of the possibility of other options I could have chosen. Instead, I stubbornly, selfishly, and meekly chose to discard Julie and walk away—the same Julie who trusted her existence with me and with whom I trusted mine with.

In the following months and years, in my visits to Thiruvananthapuram, I would mull over giving the shelter a visit. I never did do it for fear of the re-aggravation of trauma. Each time, I’d hope that Julie would somehow have forgotten the cats, me, and my parents. I’d hope that she would have gotten over the trauma of separation and would have found joy and happiness in the shelter or with someone else who would give her what she deserved. It was not me; it was never me.

Today, if Julie was alive, she would have been an unlikely twenty-five. It is eighteen years since I did what I thought I needed to, and I still bear with me the hope that, someday, I’ll be able to find forgiveness from her and from myself.

Self-Driven Wedges

After waiting a whole week to receive the first assignment in the memoir-editing project, during which I admit to not being successful in containing my guarded optimism on it, I received two chapters for review, accompanied by a brief note.

It was late evening and I had just reached home after a long ride home, following a wonderful weekend at J’s country home. I felt a bit delirious. Maybe the memories of playing frisbee at the beach on consecutive evenings and the three-hour hike up and down a nearby hill, being accompanied by two canine acquaintances we had met on the way up, were contributors.

Maybe it was the first explicit allusion to affection in the note, which seemed to have peeled off the outer coverings of my predefined role in the relationship, which I had little contribution in defining apart from its meek acceptance.

I’d nevertheless felt ambitious enough to promise the return of at lease one story reviewed by bedtime, something I wasn’t able to keep. I had found myself engrossed in a blend of watching a game on the telly and jamming on my newly-sweetly-setup P-bass.

By the time I remembered, I had already committed myself to bed with the ritual of taking my medications for the night. So I sent a brief apology, asking for an extension of the original deadline by a day.

Monday was relatively busier, but by evening I had carved out enough time to have finished reviewing, editing, annotating a few paragraphs of a story that described the naughty misdeeds of a youthful man in boarding school, confined to an adolescent’s body. I did find myself enjoying the process, maybe even more than what I had expected to.

One of the unexpected joys was what I ended up discovering on the previous editor/reviewer, who had left a wonderful note at the top of the document. The existence of a previous reviewer was brought up briefly in the original conversation where the informal agreement for collaboration for the memoir project was agreed upon.

Looking things up is as natural a part of the review process for an an editor as is the lavishing of saliva on the cleanliness of hilt is for a cat. Google showed me wonderful things about the person I was looking up. A well-known literary figure whose first book—a memoir, would you imagine—was met with praise and adulation because it gave a voice to the voiceless for a marginalized people, which I proudly belonged to.

So in my response that went attached with the partially reviewed story, I’d ended up writing, in post- and post-post-scripts, notes of joy and happiness at this discovery.

Tuesday morning was rung in by a fierce note questioning my sanity and audacity—for having cooked up a fantastic story, spotlit by the assignment of the incorrect sexual orientation to the original editor/reviewer! The only logical conclusion to come to is that this person must still be living rent-free in the heart of the unamused storyteller.

By late afternoon, the fire remained un-doused despite a couple of explanation/apologies. The actual purpose of the review seemed to have been discarded, thanks to the ubiquitious inaccessibility of Microsoft Word’s doomed Track Changes feature, in the eyes of the less experienced.

I felt like I had willed into existence a barrier that I had feared will get in the way of the next phase of a fledgling friendship/relationship. I felt like I had proven myself right in wronging in the things I set out to do. I felt weak and vulnerable.

Yet, somehow, on Wednesday, I found myself having the strength to gently guide the email conversation toward its rightful direction. By afternoon, I found myself in a Zoom call, covering the rear of Microsoft—for the ineptitude of its software engineers who stubbornly refuse to bother about the user experience and accessibility of the dreaded feature.

It’s Friday morning as I type this, and I still don’t have a substantive review of my review yet. I’m sitting with my appendages crossed, feeling like I have some strength to remain in the chase.

Correspondences - a new series

Over the past few weeks, I have been writing to my friends on non-social media platforms. I would like to consider this venture a humble attempt to practice the craft of writing. I consider these exchanges little fragments of the manifestations of my cognitve/spiritual existence in the material world.

To find them an independent space to live and breathe, and yet to have be loosely linked to the the online universe of my primary blog, I have decided to document the best excerpts from these on Neverlast, the micro-blog to Engayging Life. I’m calling this series Correspondences,

The links to the first four are below:

  1. Correspondences #1: Doug (Part 1)
  2. Correspondences #2: Doug (Part 2)
  3. Correspondences #3: Steve
  4. Correspondences #4: Mike

I hope you, the reader, enjoys them.

Books to Bind Us All

What is it that brings people together, only to impose themselves, their opinion, and their beliefs on the others? The force is gentle at first, but gathers strength with each exchange, fueled by a mix of pride, hurt, and ego. It waxes and wanes, it swells and ebbs, but it chips away at us and our relationships ever so slowly.

It is a cycle without a purpose, at least something that I haven’t discovered yet. It makes me wonder if this cycle happened the same way since we have known ourselves to be the way we are. And by that, I mean humans as bands, a term that I wouldn’t have had readily available to me if had I not read the Yuval Noah Harari bestsellers.

How did we get to pre-history, I wonder. May be because Band of Brothers—a phrase that I have often heard and read without really knowing what it actually refers to—came up as a book title just yesterday in a conversation. The phrase was used with the assumption that everyone in the conversation would know what it meant, which is one of the most fallacious fallacies one would encounter. My mind must have subconsciously guided my fingers to type the word band.

It was just another occasion when I found myself in the middle of an act of trying to rediscover my purpose/role in a relationship—maybe I should use the word acquaintance—a tenuous one at that. We were indulging in an illegal activity, where I was trying to please someone who I have been trying to please. Not in any lewd sense, but because he could—if he’d be willing to, of course—fill a gap in my life that has existed since the time I remember myself as a child. The activity was just a simple exchange of pirated intellectual property in the written form from me to him.

My intentional concealment of the identity of this person must not be misconstrued as a means to diminish them or their presence in my life, but instead is a show of respect to their privacy. Something that I have learnt the hard way on this very blog. I guess it is also a gesture of affection, an effort to shield them for prying minds.

I had met him in rather unflattering circumstances, trying to sneak behind his newspaper-reading self to find means to make myself presentable. My first act of initiating a conversation involved offering a tumbler of whisky at ten in the morning, mind you, in his very own house. It was an evidently unsuccessful attempt at concealing my anxiety of meeting him. We had then settled down into a jarring conversation about goods and bags of beverages to start one’s day.

A few years since that initial encounter, I had finally found this rather unimaginative method to step into his attention range. I had the tech chops that could help find things to occupy his spare time. It was one of the numerable straws to clutch at to strengthen a fledgling, and dare I say, flailing relationship.

I find myself writing this the morning after an unpleasant experience—I’m certain this is from both sides. It was a bizarre conversation about the frequency of possessive pronouns in conversational speech. Just an observation at first, but it went on to become something that defines a character as good or bad, of course from one’s own perspective.

Happenings like these is why we have not yet been able to break in our relationship so that we can get past the constant reminders that we need to continue building it. I’m not really sure if he feels the same way, but I’d be gutted if he isn’t.

One thing leads to another, and this morning we find ourselves talking about books—a book if I were to be precise. It is an anthology of sorts, somewhere in between a memoir and an autobiography. I’m going to call it Memories for R&Z, which is an oversimplified appellation distilled from its intent and purpose. A book that he is writing with stories that he has written—stories based on life experiences, with a healthy coating of humor. If things work out the way they could and should, I would work as an editor—more like a second pair of eyes—for the stories.

Our hope is to eventually get this book published, with a warm reception from an audience that would not solely consist of family. I’m well aware that the way toward the destination could be treacherous. The prior mentioned triumvirate of ego, hurt, and pride will definitely come to play. Of course, I’m anxious if the equilibrium of building and breaking will alter, and that the relationship with drift toward a less desirable state.

All this we shall see.

Disappointment and Dissatisfaction

It’s been another week. Another week of not being able to do what I set out to do. Another week of falling short of expectations that I set for yourself. Another week that tells me that there are more such weeks to come, and the weeks will clump into months, which will then solidify into years.

Yet, if I were to note the things that I was able to do, the skills that I was able to hone, the art that I was able to craft, the plans that was able to make, I would know that I didn’t do that bad. But I didn’t, I don’t, and I won’t. I have masterfully orchestrated the positive feedback loop (strange that this is one of few things that can be described as positive in my life) in which the feeling of disappointment and dissatisfaction with myself sets me up for the glorious streak of weeks, months, and years that I’m in.

As I write this, my search for a performance coach, which is in its third week, feels like yet another weak, uncommitted attempt at fixing things that may never be fixed. It is tantamount to transferring responsibilities of taking care of things that you ought to have taken care of yourself in the first place.

“You used to be good at mastering things and bringing them to the finishing line; that’s a skill that you have that we can work with”,

tells the second of four coaches in the obligatory free session. The conversation was quite pleasant and smooth. I felt comfortable sharing what I was seeking. There were no uncomfortable silences. There was a mutual convergence, probably because the coach was a musician and had goals that were similar to mind.

The meeting itself was rather unplanned. The coach had gotten in touch with me over email and text messages, requesting me to suggest a good time to meet. I was out riding all weekend. So when I respond around 3 pm IST on Sunday, I wasn’t expecting a call on my phone by 6.30 pm, which would then be followed by at one-hour conversation starting at 8 pm.

In between, I familiarize myself with his website. In the messaging on the site, I see patterns that indicate potential incompatibilities in the approaches and philosophies employed if we were to work together.

Yet, I prepare my story, keeping in mind the need for not wasting the coach’s time. I’m constantly reminded that they are all professionals and that they use the money these coaching sessions bring to make ends meet. The problem is that most of them charge more than I could ever afford. To admit this fact is painful and insulting. Makes me wonder why I started my search in the first place.

The two that I have met so far have assured me that they won’t let the cost barrier be the reason why I can’t work with them. I’m still not sure what that means in terms of their fees, but it does make me feel like I’m spending money to buy band-aids to cover up my wounds, instead of admitting that I require something else. Something that may not even be real.

When I read this article on The Atlantic, I was expecting to be feeling slightly more at peace with myself for being in the state of dissatisfaction/disappointment. Of course, I haven’t tried what the article suggests one try, but being aware of the possibility of a way out must help, no? It hasn’t.

Maybe it is because I ended up doing something that I said I’d do less of. Maybe it is because I haven’t been able to write for the past few days. Maybe it is because I just heard from my partner that my ex has had some unkind things to say about me. Maybe it is because my partner did not let me know about this until after I sent to my ex a note with an article that I read on The Marginalian about long-distance relationships. And then, in an unpleasant conversation with my partner, I was told that I sound like someone that I don’t want to sound like. Someone who, until recently, I thought I could help to not sound like how they sound like.

I haven’t been in touch with most people who I used to care about for the last two years. This includes my ex. My partner, who tries to be a messenger between me and the ones that I have left behind, tried the same with my ex. When he saw a sliver of light in the dark skies that have been looming over me, he tried to nudge me to get in touch with the ex. Of course I said I don’t want to. Of course I said I feel it would be better not to care about others until I have gotten myself back together. Of course I still think this is the truth.

The real question is this: will I ever get myself back together?

The Art of Self-Promotion



“So what is it that brings you to me?” asked the performance coach after the first of four awkward silences. I mention them because I still have trouble with them, which at the age of forty-two and a half is somewhat embarrassing. We were about three minutes into the first free, thirty-min session.

We had exchanged pleasantries before. I had awkwardly brought up the weather as an ice-breaker after noticing the aurora borealis-laden Zoom virtual background and the sleeveless heavy winter jacket he was wearing.

He said, “I live in the foothills of Himachal Pradesh—it’s freezing here. I wouldn’t mind trading places with you right now.”

I guess he meant “Himalayas.” I realize that my frosty metaphor could have been literal if I had been there, which is something I might need to work toward. I’m not sure if I’m cut out for perennial cold weather, but the invitation of quiet is overbearing.

I eventually respond to the question. A long and winding answer, but I eventually manage to sum it up and wait for a response. That’s when I realize that I hadn’t finished my story.

So I add,

“As an artist, I think I am well-rounded in most aspects of creation and performance. What I find myself falling short of, thanks to my depression and social anxiety, is a sustainable way to get my art out there, exposed to the rest of the world, waiting for acts of judgment and critique from people, who may not even know what they are talking about.”

A couple of moments of silence pass, and I find myself marching on:

“I guess I’m talking about self-promotion and marketing that goes hand in hand with music these days. One can even argue that content and talent is not as important as promotional skills and perseverance. I used to do this for my band back in the day, so I know I can do it. But I somehow don’t seem to have the strength anymore. The act of creation has taken a step back too because of the inevitable motion toward self-promotional stagnation. So my idea of a coach is someone who offers support and who is an enabler and a motivator for me to do what needs to be done. Somewhere between the role of a manager and a coach.”

He returns with the elegance of a backhand chip return:

“I hear you and I can help you. I work with my clients in whatever way that I think would help them achieve their goals. Twenty-four-seven, I think about them. So my clients may even get text messages from me at three in the morning. If there’s something that I think I need to communicate, I will, regardless of time and place.”

It lands gently, but it sounded intrusive and dangerous. I’m worried that the juggernaut of drive and intent might even run me over. Feelings of alienation and anxiety start to gently wash over me. It was the second uncomfortable silence, much longer than the first.

I am grateful that there is no effort to break it from his end. He seems to simply sit there in the cold and watch my grainy 720p video. Is he sizing me up? Maybe my smile isn’t thick enough to veil my vexation.

I respond with some deflective conversation until I eventually find my way back with a question about his writing. After all, he has written and published books. At least one bestseller as far as I can see from his websites. I’d even checked the book out on Amazon. I now know that it is available for free on Kindle Unlimited, which I had recently started subscribing to. I guess I’ll download it and check it out.

“You must have also gone through phases of self-doubt and reticence while you were in the process of writing/publishing your book.”

The answer is a smash.

“No. I did not. In fact, I wrote my book without even reading any. Of course, I’d read books through school and college, but nothing worth mentioning since then. I decided that I wanted to write a book, so I found a book-writing coach—India’s premier one, in fact. I took lessons and simply wrote the book. I had to choose an attractive topic, and the rest was pretty straightforward.”

The audacity! Or was it just self-belief? What would I think of myself if I had done something of this sort? What would others think?

But that’s the whole point, isn’t it?

I remember my friend Dennis telling me on our way back to Medical College in his Maruti 1000. We had just had lunch at the Indian Coffee House after a morning of lectures in microbiology and forensic medicine. We had been discussing Asimov’s writing in the backdrop of The Foundation series. I had borrowed two of the books from the initial trilogy from him, but I had to pick up the rest from the lending library that my parents had bought me and my sister a subscription for.

Somewhere along, I must have expressed my desire to write like Asimov.

“You want to write?! For every book you write, you’d have to read at least ten. Maybe a hundred. Don’t even dream about it until you have read enough!”

He was/is right, of course. Reading a lot makes you a better writer. Listening to a lot of good music, written by talented songwriters and crystallized heart-felt renderings, has given me the information and inspiration to hone my musical craft too.

It has, or they have, brought me here. My as-of-yet insubstantial attempts at writing prose/poetry and producing/recording/performing original compositions stem from it or them. The mountain that is starting at me, or I’m staring at, is the process of getting it all together in a nice little package, getting it out there, planting it in the center of the cauldron of humanity.

This is the third silence, by the way. It gets broken by him this time. He tells me a story, the details of which I fail to recollect. But it did end with this thought.

“I believe in the philosophy of not worrying about what others think. It’s their job to think, criticize, and judge. It’s mine to not care about them or their thoughts. Simply put, I don’t care.”

This was the longest period of silence. I find myself immersed in a pool of awe and disbelief, shimmering with a thin layer of intimidation at the top.

Was it even polite to be this way? What about humility and introspection? I thought it was necessary to be painfully—but I guess not debilitatingly—self-aware, armed with the knowledge of one’s perfectly ignorable position in a world full of artistic pinnacles. Then again, I realize that they are propped up by artistic debacles that are more by orders of magnitude.

The conversation meanders to a close with discussions about fees and frequency of the coaching sessions. We hang up soon afterward, but my guard is up at the prospect of further monetary onslaughts, but I do have someone who can guide me about this. Another coach, in fact. A finance/investment consultant.

Hours later, what stays with me is this:

“He is either someone who I absolutely need or someone who I should stay far away from.”

The latter is already a reality, at least physically, but I think I need to move closer to him—while not being him, of course—and his state, not just physically but also cognitively.

Observations #1

Forty-seven minutes past eight in the morning. I’m late but I’m there, and that’s a relief. I have a few moments—precisely thirteen—until the grey-clad security personnel start wanting me out. I must hurry, but I must also slow down.

I must practice what I preach I will practice.

The heart’s heavy or loud. On second thoughts, maybe it is fast and loud. The cut-out shirt, one size too small, clings on to my skin through an interface of a mixture of salts and water. It’s black and has the outline of three pairs of bipeds etched in grey.

I had picked it up from a table littered with same-sex merchandise. In exchange, I had parted with two currency notes, maybe three. The other stuff was too loud, like my heart is now. The people were loud too, relatively at least. Some would say they were just expressive, they were just free, they were just liberated. But all of this is only within the  walls that surround the table and the people. Once they walk out, they become quiet; they become subdued and suppressed. I too will walk out, but I will not be remarkably quieter.

Once you are at the bottom, you don’t have the drive to dig any further.

Not to forget the cycling shorts that confine my modesty. They are black too but no grey figures adorn them. There is a neatly cut out cushion sown in, to not let the hard seat dig in too far. Funny how when not on a bicycle, someone like me is supposed to look forward to hard things being dug in. Not too far because then won’t fun anymore. Until it gets to be fun again at least for one of the two.

My mind’s racing. The parts of it that have gotten lost somewhere must have made it light and nimble. But my mind is always heavy. Okay, a bit of hyperbole. Not always, but most of the time. That’s why I’m here trying to slow it down. The brisk jog must not have helped, but then the mind is not the heart even though hundreds of poets might have tried to convince us otherwise.

Focus. Look ahead.

I’m surprised to realize that my eyes were open all this while, but I hadn’t been seeing things. Not to imply that I’m blind, which I am not. I can see longer and clearer than I ought to, something I lean on to distance myself from my lineage, many of whom indirectly brought food to the tables of the families of optometrists. The first signs of the eventual submission to the ravages of old age have made their appearance as evidenced by blurring of gigantic signs planted far away. The psychological barricade that seems to install itself between the optic nerves and the temporal cortices seemed to be fueled partially by this optical loss. The cycle might be vicious, but my frontal cortex is up to scratch.

Observe and record.

Five types of palms, the names of which I’m not sure of, are probosces of varying length sticking out of the freshly watered lawn. One is a Chinese fan palm and another is a date palm, thanks to lessons lent by the lover during past lolls. The names of the other trees are even scarcer, but not those of the avians resting atop their branches. A family of flying rats dispersed across five trees, with a solitarian grooming itself, its grey outline sufficiently contrasting with the light blue sky. The nebulous army seem to have declared a ceasefire unlike its counterparts in Myanmar and Russia. Three black crows and a mynah are also in the party that did not require RSVPs.

Good going, but check back on your heart. Nothing in there or so it seems. Not even the loudness in the ears. Did I lose my earphones? Phew! I hadn’t, because I would be even more blind thanks to the noise.

Now let’s look at some mammals.

Unfortunately, not even a single quadruped one available for observation. Among the ones that are, one is learning to not use his two longer limbs for locomotion. He is on a skateboard, wobbly at best, sticking close to the median, propped on either side by his friends. A couple walk slowly past them on the far side of the road skirts the garden, lost in conversation. None of them have masks on, by the way, maybe as a sign of protest to the authorities.

Wait a minute, do I have mine on? No! Mine is on my neck, but then again I was alone and I had just finished a run. My excuse is better, at least until I get the dreaded virus one of these days.

Back to the road.

The most elegant posture. On a pink bicycle about thirty seconds behind the trio with the skateboard. The woman on the saddle seems to be the only one at peace with the world. She is wearing pink too, what a coincidence. A gentle brisk pace, maybe nine kilometers per hour. I know because I ride at thirteen when I’m not trying to race.

Now that she has gone, I need to find something else to look at.

I’m sitting on a wooden garden bench, and across me is another. Too close to each other, placed awkwardly toward the center of the ramada without much thought. Or maybe too much thought for the pair of security guards to nap during the day when no one’s looking. There is even a cast iron bolt that sticks out from the front where it shouldn’t have been left. If someone were to draw blood around where I am sitting today, they would be somethings and have four legs.

I think I have looked enough. Time to close my eyes. Making myself physically blind again, but now without the chorus of the heart in my ears. It’s time to try mindfulness and grounding.


Writing About Writing

I’m not sure if what I'm about to write is _read-worthy_. I can think of people who might argue that that anything that someone thinks up and records in text is worth reading but I haven’t come across one yet.

I am writing now because I haven't in a while and I have been meaning to. I write for the sake of writing more than to make a point. What I write tends to end up on my blog because that is how it had always been.

I used to do this with intent a few years ago. I believe that what I think up and record in text should be recorded somewhere where someone might find it at some point and think, ‘Wow, people did take themselves too seriously.’

My therapist thinks that I should write more often, probably because I tell her that it's therapeutic. Many think that the world is at its selfish worst, and that people do things to make themselves better. Going by that logic, my therapist shouldn't be advising me about how to get better without her getting paid.

Yet she does. So does my shrink. Both seem measured, level-headed, well-intending people trying to do their jobs. They earn money in return of taking care of others with psychological troubles. I was supposed to do the same in a more physical manner, but I instead decided to pursue my artistic/creative side twelve years ago.

I write because I feel good when I do. To be more precise, I feel better _after_ I finish writing. I feel like I have accomplished something. Everyone is trying to accomplish something or the other, which involves keeping themselves busy and labelling themselves productive.

I like to think that I’m being busy and productive. When I started typing this, I had two content streams assaulting me. A live cricket match on the TV and a on-demand mixed martial arts event on a screen above the one that I’m typing into.

I was hardly paying any attention to the cricket match, mostly because I could rewind it if I realised that I missed seeing something exciting. Mixed martial arts is the perfect blend of athletic artistry and primeval violence, and the event I was streaming was something that I had wanted to watch.

It was difficult to focus on what I wanted to write or whether I wanted to write at all. It would have been either writing or reading, but writing is what I felt like I haven’t done enough.

So I continued writing. It's a pretty easy way to feel as if you have done something worthwhile without caring about the actual worth of the thing you did or the time you spent doing it.

I have anxiety probably because I do many things at at time. Yet I am forced to because I feel like I haven't done enough. The cause is the effect is the cause.

I feel the need for people to tell me that I did well. My life feels like a constant battle to prove to everyone that I’m worth existing. I guess I’m chasing my own legacy.

Legacy is something that gets built over the course of someone’s life without them having a say in whether they want one. The foundation is laid before you know what it is. Then you spend the rest of your life building on it in an effort to save yourself the embarrassment of leaving it unfinished.

Foundations left unattended eventually become pretty when the elements take over, but the people who tried but failed to build on them won’t live long enough to see the cosmetic makeover of the thing that symbolizes their failures.

Dancing

I never liked dancing. Watching people dance is one thing, but doing it oneself brings a shudder. I guess I should not generalize it. Doing it myself brings a shudder.

I have been asked to dance at weddings, parties, discos, beaches, and shows—hell, even the shows where I’m one of the people responsible for getting everyone to move. Playing music to get others to dance feels a natural extension of my role in this world. Participating in it couldn’t feel more alien.

I grew up feeling that I lack a penchant for physical coordination and three-dimensional orientation. Things that people take seconds to figure out would take me minutes, and stuff that people would master in hours would take me days. I would be left feeling disappointed with myself to even dared to have attempted new things.

I remember having to confront two activities that I was eventually able to conquer—playing music and typing on a keyboard.

Everyone is aware that playing a musical instrument a difficult task, especially in the early stages. It is worse when the act of playing an instrument involves physical movements that have no equivalents in daily activities. Holding a few strings against a piece of wood with the tips of your fingers of one of your hands and trying to trigger vibrations in a few of them with the fingers of the other , while taking care of melody, rhythm, and precision, is quite a leap of grace for someone like me. I’m sure it is not too different for others.

Things get worse if you seem to be in perpetual competition with peers, which I was in this case when I was taking my initial lessons in guitar. My friend, who was younger to me, seemed to have so much more grace and leaning to mastering this complex motor routine.

Unfortunately, this friend—who I’m not friends with anymore—is also involved in the second example. On my teens, I used to frequent a friend’s place. The guitar-peer friend and I used to meet our older friend, a teacher of accounting, who was a couple of decades elder to us. We used to talk about music and technology, primarily computers and hi-fi equipment. Our older friend had poor vision and used to have trouble preparing tests for his students.

That evening, a few days after I got my first personal computer, I was trying to help my friend finish a test. I was at the keyboard and I was asked to press a key. I did not know touch typing then and I looked down a the maze of letters, symbols, and numbers under my hands. Every key looked like it could be the key I was looking for, but only one was the right one and couldn’t find it.

My friends were over my shoulders calling out where it was. They were laughing at my inability to see things that they could so easily do from farther away. I felt bad and felt my heart racing. My body was telling me that if in the setting of a jungle, this sort of inability would be tantamount to risking my life.

A couple of more letters later, I stood up from the desk and told them that I’ll learn the layout of the keys before I try doing this. Within a week of practicing for an hour daily, with the help of a free typing tutor, I could type without looking at the keyboard.

As I type this, I know that I will feel confused if I look at a keyboard that I can easily touch type on.

In both situations, I had to dissect the process of mastering a skill, work at it for durations longer than someone else would, and slowly bring me up to a level where I can stand shoulders levels with everyone else.

So what about dancing? Why haven’t I attempted to start the process of breaking it down into bite-sized chunks? I don’t quite know myself.

I started writing after I heard the song “Dancing In The Moonlight” by Toploader earlier this morning.

“Dancing in the moonlight
Everybody's feeling warm and bright
It's such a fine and natural sight
Everybody's dancing in the moonlight”

The song sounds great but the lyrics are as unavailable to me as are blue skies that are hidden behind the thick smog this morning.

I guess I feel a certain sense of physical revulsion toward seeing myself dancing. I’m not talking about looking at myself in the mirror. Instead, more like splitting my consciousness from body and observing myself from a metaphorical tree branch.

Something doesn’t fit right. I have not quite ascertained if my discomfort stems from seeing myself emulate the physical movements that constitute dancing. Or is it the difficulty in seeing the discordant feelings of joy and contentment told through my face and my eyes, which if was able to do, would fees like a betrayal of my true self.

Unlike the processes of smoothing over of the two cavities, which seem to have left indelible memories, I don’t feel the need to mend the situation I have not yet felt inadequate because of my inability to dance, nor have I felt the need to aspire to emulate someone or something inspirational.

However, I must confess that I have at least one person in my life who likes dancing who, thanks to their generally uninspiring, condescending, and irritating nature, continues to push me away from dancing.

Engayging Life has moved to WordPress

Engayging Life has fully moved to WordPress

Yes, I am alive and I'm still blogging. Regularly. But on WordPress because offers an easier workflow for me. Here is a selection of wh...